The Rockland County pop-rock outfit channels Avril Lavigne attitude, massive hooks and the frustration of finally seeing someone for who they really are.
The Sudbury post-hardcore outfit sharpen their sound with dual guitars, melodic hooks and a glimpse of something much heavier underneath.
The Breeders brought three decades of alt-rock cool to a sold-out Hollywood Palladium, proving Kim and Kelley Deal still know exactly how to own a room.
The Nashville duo blend shoegaze, post-punk and dreamy electronics into an enchanting third single packed with promise.
The Los Angeles punks celebrate their signing to Rise Records with a new single, a striking music video and the announcement of their upcoming EP, Play Niis.
The Austin duo balance emotional hooks, technical guitar work and crushing heaviness on a single built to push them to the next level.
Brandon Purvis taps into Fall Out Boy, Good Charlotte and peak early-2000s nostalgia on his energetic new single.
The Los Angeles artist trades emotional restraint for 2000s-inspired guitars, playful energy and the freedom of saying exactly what’s on your mind.
The Guildford, UK alt-rock outfit previews its forthcoming debut album with a dose of Deftones haze, Linkin Park emotion and serious older brother-core energy.
The Canadian metal heavyweights return with their first new music since Tsunami Sea, just days before launching a massive UK and European tour with Jinjer and Dying Wish.
Dylan Neal’s dark electronic project Thief unleashes “Moon and Kill,” a haunting blend of electronica, noise rock and post-metal from Sermons From The Pit.
The Canadian post-rock artist delivers a sprawling, groove-heavy second taste of The Fragile Beauty (Of New Morning Hopes).
The Australian metalcore heavyweights return with their first new music in nearly three years, confronting grief, loss and the lasting absence of guitarist Ryan Siew.
The California hardcore wrecking crew kicks off a new chapter with two new tracks and a UK/European run this October.
Perennial turn “Emma Peel” into a musical hit-and-run, delivering a short, sharp explosion of noise, energy and combustible adrenaline.
Love Like Enemies channel early-2000s metalcore with massive riffs, punishing breakdowns and a killer guest appearance from Dave Escamilla.
Tampa genre-benders Nevertel mix massive guitars, electronic beats and an emotional breakdown on their powerful new single “Last Breath.”
Billie Joe Armstrong, Tim Armstrong, Travis Barker, and CJ Ramone joined forces as Cretin Family for a once-in-a-lifetime celebration of the Ramones, complete with Billy Idol, The Linda Lindas, Fred Armisen, and a few thousand fellow cretins.
Los Angeles indie rockers Hembree serve up funky basslines, infectious grooves and one hell of a finale on their irresistible new single “Options.”
From Patagonia vests to Toyota hats, three days in a park that has been throwing parties for a hundred and sixty years.
Tone Ranger puts his own desert-house spin on America’s timeless classic, blending western inspiration with synths, harmonies and a beat built for the desert.
Former Jane N’ The Jungle collaborators Jordan White and Brian Dellis reinvent themselves as BLOSMM, embracing a darker, more expansive sound on their powerful debut single “Poser.”
SLEEP CLUB turns the monotony and convenience of modern life into a deafening wall of dark shoegaze on the existential new single “Weight of Ease.”
Apple Valley pop-punk quartet My Last Goodbye turn betrayal and broken trust into an infectious sing-along that hints at an even heavier future.
Freidrich$ and Azalias throw acoustic intimacy, electronica, R&B, hip-hop and a whole lot of emotion into the blender on Outsideness’ wildly unpredictable …Then After?
Swedish heavyweights Imminence push beauty and brutality even closer together on “If Not Now, When,” the latest chapter from their forthcoming album Axis Mundi.
Canadian hardcore legends Comeback Kid return with “Chosen Hell,” the blistering title track from their eighth album, arriving November 6 with some serious guest firepower.
Left to Suffer answer their critics with nu-metal bounce, crushing riffs and absolutely zero interest in being told what their band should sound like.
Hardcore legends Hatebreed deliver another dose of breakdown-heavy brutality with “Fatal Paradox,” the title track from their first new album in six years.
What started with Addison screaming in her Honda has evolved into a crushingly heavy and surprisingly vulnerable introduction to Showing Teeth.