Some songs are screaming colors, like the tracks within Knowsum’s new record.

Disarme draws the listener in with haunting, powerfully dramatic, reflective, and dark music.

The Criticals have another winning single on their hands.

“Vibey Barbie” conjures many striking and compelling visuals in one spicy and saucy track.

Glazyhaze’s lyricism and melodic arrangement make for a fresh, new track.

The children yearn for indie sleaze, and J.Paul delivers.

Toilet Rats may have a silly name, but their record ‘Toilet Rats IV: Deluxe Edition’ is a work of genius.

Phoneboy’s new single “I Look Alive” is unbelievably catchy.

“omg (ft. Ryan Hall)” by Ezra explores the dynamics of avoidant attachment in modern relationships.

Kit Major returns with perfectly grungy ‘Love.Sick.Major’ EP.

The song feels fresh, though identifiably pop-punk.

Ben Lukas Boysen has proven his prowess, cultivating a unique brand of sound that culminated in his single “Fama.”

Cat Ridgeway's new single "Epilogue" is incredibly catchy punk-rock that proves the genre needs to continue in the modern world.

Some songs start as something and end as something entirely different—and finish as classics. “Alleluia” by Third Ward falls into this category of being just eclectic enough to give listeners plenty of surprises.

Olah Bliss adds just the right amount of edge to pop hits, like her new single, "Bang Bang."

Miranda and the Beat are a NYC-based garage/punk rock band.

Noelle Sucks and Spencer Chamberlain from Underoath team up in an awesome new collab track, "Copy Ur Keys."

Ruby Bell's latest single, "Wanted To Go Home," is perfectly eclectic.

Slumber makes their claim as a band to watch.