Angel Du$t return with Cold 2 The Touch — catchy, cool, and full of heart.

Bad Omens return with a track that bleeds emotion and power, turning heartbreak into an anthem built for the big stage.

Devin MØRE captures the chaos and calm of change in “Perfect Storm,” blending dreamy indie pop with raw emotion and a touch of autumn melancholy.

The Slashes deliver moody post punk perfection with “Starts With Tears.”

Save Us crash onto the scene with “Bruised,” a raw and powerful debut that blends emotion, aggression, and honesty in classic Solid State fashion.

Alex Ray turns vulnerability into victory on “Messy,” a darkly catchy alt-pop anthem that crashes through insecurity and lands in pure self-realization.

Buffalo hardcore’s boldest band returns with No Escape — their most dynamic and dangerous release yet.

Entheos blur the line between chaos and precision with “Empty on the Inside,” a ferocious mix of deathcore brutality and progressive mastery that’s equal parts haunting and hypnotic.

Jupe Jupe channel the dark glamour of the ’80s with “Kill Your Darlings,” a brooding, dance-ready post-punk anthem made for fog machines, flashing lights, and late-night goth floors.

Justin Webb & The Noise cut through digital chaos with “Terrestrial Radio,” a sharp, urgent anthem calling for a return to real, authentic rock in a world gone numb.

Ricky Lake bends genres and minds with “Section,” a goth-meets-hip-hop club anthem that turns nightlife into sharp social commentary.

Barbarians of California team up with Every Time I Die’s Keith Buckley for “A New Song with a Long Title” — a chaotic, riff-drenched monster that proves rock’s wild heart still beats loud.

Grave Heist unleash pure chaos with “Stronghold,” a thrashy hardcore anthem built to break bones and light up the pit.

Disgusting Sisters and Hot Chip turn “TGIF” into a midweek meltdown—slick, strange, and ready to blow the speakers no matter what day it is.

KNEECAP crank the chaos with new “Sayōnara” remixes—featuring SHERELLE’s blistering club energy and Orbital’s Paul Hartnoll bringing pure rave heat.

A brutal new chapter begins — 156/Silence join the Pure Noise family and unleash “Our Parting Ways,” a haunting blend of chaos, emotion, and pure catharsis.

Neon lights, late nights, and emotional wreckage — William Barradale turns pain into poetry on Cry and Dance.

A tidal wave of melody and mayhem — Red Skies Dawning crash through with “Shipwrecked,” a metalcore anthem built to sink ships and shake stages.

Dreamy, fuzzy, and defiantly weird — Barber For The Queen turn chaos into something hypnotic on “I Got All My Time.”

Not Your Babe crash the indie scene with “Somebody Died,” a devastatingly beautiful debut that fuses punk angst, cinematic emotion, and pure heartbreak into one perfect scream.