“The City is Over” is a heartfelt indie shoegaze banger that will transport you into its dreamy world.

The warmth of analog marks it, and a broad spectrum of elegance is similar to Broadcast and old Beach House.

Freedom Fry wants to motivate themselves, offer inspiration, and uplift others with a wistful and melancholy track, “Lost And Found.”

“Froze” creatively melds cinematic, atmospheric dream pop with the slow-core genre.

Michigan’s shoegaze heavyweights Greet Death are officially back with a vengeance.

Rooskin’s latest single, “Dopatine,” makes a gracious entrance and confronts the idea of instant gratification.

The Go-Gos personify female empowerment and the ultimate DIY aesthetic.

With music like this, sace6 isn’t just emerging—they’re ascending. Keep them on your radar.

The Poisoned Ascendancy Tour was about reminding everyone what it feels like to be alive in a room where everything is too loud, too fast, and absolutely right.

Welcome back! Did you miss us?

After more than a decade of silence, Toronto’s Rituals returns with Aurora.

“Go Back” needs to be in your rotation. It’s not just a track—it’s a fully formed vibe.

Cassman has poured every ounce of his being and sweat into this song.

A Swift Farewell have unleashed one of 2025’s most ripping tracks with their new single, “The Haunting.”

Sungaze releases an ooey-gooey new single, “Feel Better Tomorrow.”

Goose Park is back with a classic pop-punk anthem, “Losing Grip.”

Northern California punk rockers, Destroy Boys, are no strangers to controversy or chaos—but their live show always rules.

Maeve Riley is a more than worthy addition to the bastion of pop performers.

Revel in the sweaty afterglow detailed with explicit detail in “My Place.”