Jupe Jupe channel the dark glamour of the ’80s with “Kill Your Darlings,” a brooding, dance-ready post-punk anthem made for fog machines, flashing lights, and late-night goth floors.

Justin Webb & The Noise cut through digital chaos with “Terrestrial Radio,” a sharp, urgent anthem calling for a return to real, authentic rock in a world gone numb.

Ricky Lake bends genres and minds with “Section,” a goth-meets-hip-hop club anthem that turns nightlife into sharp social commentary.

Barbarians of California team up with Every Time I Die’s Keith Buckley for “A New Song with a Long Title” — a chaotic, riff-drenched monster that proves rock’s wild heart still beats loud.

Grave Heist unleash pure chaos with “Stronghold,” a thrashy hardcore anthem built to break bones and light up the pit.

A packed room, broken voices, and pure hardcore chaos—End It turned 1720 into ground zero for LA’s loudest night.

Disgusting Sisters and Hot Chip turn “TGIF” into a midweek meltdown—slick, strange, and ready to blow the speakers no matter what day it is.

Rival Schools return to reignite LA’s alt-rock flame with Narrow Head tearing it wide open.

KNEECAP crank the chaos with new “Sayōnara” remixes—featuring SHERELLE’s blistering club energy and Orbital’s Paul Hartnoll bringing pure rave heat.

A brutal new chapter begins — 156/Silence join the Pure Noise family and unleash “Our Parting Ways,” a haunting blend of chaos, emotion, and pure catharsis.

Neon lights, late nights, and emotional wreckage — William Barradale turns pain into poetry on Cry and Dance.

A night of worship, chaos, and catharsis — Sleep Token turned Crypto.com Arena into a cathedral of sound.

Day 3 of Riot Fest closes out with performances by The Academy Is… and Footballhead.

One man, one vision, endless noise — Mike Wall turns distortion into art on pax humana (remaster).

Day two of Riot Fest brought out rain and a surprise performance by John Stamos with The Beach Boys.

Teenbird’s LP of rock covers will annihilate all previously held expectations—they’re more than just a cover band.

A tidal wave of melody and mayhem — Red Skies Dawning crash through with “Shipwrecked,” a metalcore anthem built to sink ships and shake stages.

Dreamy, fuzzy, and defiantly weird — Barber For The Queen turn chaos into something hypnotic on “I Got All My Time.”

Love Ghost tears down any genre-related barriers in their new shredder of an LP, ‘Gas Mask Wedding.’