SUBLIME CONTINUES ITS EXPANSIVE LEGACY IN NEW SINGLE, “EBIN,” WITH JESSE JAMES PARIAH AND ZAYNO

After years performing under the moniker Jakobs Castle, Jakob Nowell’s new mission involves continuing his father, Bradley’s, incredible legacy. Of course, Sublime has always been known for its profound sociopolitical commentary, covered in lacy, lava lamp hues, and evocative vocal performances. Both Nowells share core values and singing styles, but Jakob carries the torch proudly, especially in this reiteration of “Ebin,” now with Jesse James Pariah and Zayno.

“Ebin” was Sublime’s contentious first single; initially received poorly by its namesake, it was later appreciated fondly by him after he spent many hours listening to it. The pair never got to reunite after Bradley’s tragic passing in 1996, but the analysis offers insight about the song and Jakob’s continuation of Bradley’s legacy.

Lyrically, the song is tricky. It’s a bit difficult to see where Bradley’s opinions about various things stood. One might argue that he would have held opposing views to those of the fictional Ebin, but it’s hard to say certainly, given the way he describes certain organizations, such as the PLO. However, I don’t think these brief mentions are enough to sustain judgments on someone’s entire moral compass. Instead, I believe the song is supposed to tell the story of someone who “sold out,” especially morally. It’s the idea of thinking you know somebody until they reveal their true colors in a shocking display.

Jakob’s syrupy vocal range matches his father’s well, while maintaining his presence, marked further by features reminiscent of Jesse James Pariah and Zayno. This is the kind of feature I love, where no one performer is competing against the next. That seems to be the consensus with most duos and trios these days. Everyone is simply seeking creative expression.

Jakob does an impeccable job at bearing the torch. His take on Bradley’s work not only provides Sublime with a vocalist, but a true artist who understands how to blend his creative instincts with his father’s. This iteration of “Ebin” is fresh, recognizable, and goddamned groovy.