HOLLYWOOD PALLADIUM COMES ALIVE WITH CHEVELLE AT THE HELM
Chevelle headlined a packed night at the Hollywood Palladium, arriving in Los Angeles with their brand-new album Bright As Blasphemy in tow. Fans came ready for both the new material and the familiar songs that have carried the band through years of heavy touring.
Dead Poet Society opened with a set that immediately caught attention. Their sound was lean but aggressive, cutting straight through the chatter and locking the crowd in from the first song. I’d already spent the week wearing out I Hope You Hate Me on repeat, and when they hit it live, the track felt explosive—louder, rawer, and built to be heard in a room this size. The band’s presence was commanding, and by the time they walked off, the Palladium floor was wide awake.
Asking Alexandria kept the energy surging. Their set was big, bold, and loud enough to shake the venue. Fans at the rail shouted back every word, while those deeper in the crowd moved in waves to the heavier moments. They’ve been at it long enough to know how to take control of a room, and it showed from start to finish.
Then Chevelle took their turn. With Bright As Blasphemy just released, the night had a sense of occasion, and the songs carried that weight live. The new material hit with force, sitting comfortably alongside the staples fans came to hear. Each track filled the Palladium with precision and volume, leaving no doubt that Chevelle can still command a stage of this size with ease.
For me, there was another highlight—it was the first time I shot a full show with my Nikon Z8. Breaking in a new camera in the middle of a night this charged felt risky, but the payoff was worth it. The shots came alive in the same way the performances did, adding a personal milestone to an already unforgettable show.
The night didn’t fade out so much as it slammed the door shut—Dead Poet Society fired the opening shot, Asking Alexandria poured gasoline on it, and Chevelle burned the whole place down with Bright As Blasphemy.
