GLASS SPELLS’ NEW RECORD ‘CRYSTALS’ OFFERS TRUE CRYSTALLINE SYNTH-WAVE DREAMINESS

Dynamic duo Glass Spells is back with their first full-length LP in 3 years, a dream-synth-pop fusion appropriately titled, ‘Crystals.’ This record proves the duo’s creative prowess and solidifies a newly re-emerging ideology. Goth music, as a subsidiary, has the potential to be both haunting and ethereal, incorporating otherworldly soundscapes with its staple melancholia. The duo effectively captures multiple cultural elements while deviating away from corny territory. Authenticity rules the day, and Glass Spells emphasizes this at the forefront of their creative process. For new and returning fans, ‘Crystals’ is a refreshing treat; anyone looking for a new album to play front-to-back should consider ‘Crystals’ a top contender.

First, “Without You” has seriously plucky goth club energy— in the best way possible. Some drum fills feel straight out of the 80s but earnestly pay homage to those who inspired Glass Spells without directly copying. Their ability to stand out while still doing what feels familiar to them sets them apart. Many of these songs feature a relatively simple drum machine beat with incredibly intricate synth patterns that weave in and out of each other. The techniques used in “Without You” appear to be the blueprint for these tactics, giving everything a stable foundation while staying interesting for listeners. “Goth” self-identifiers or not, audiences can expect to cling to something within this track’s overall mix.

Glass Spells has this neat party trick where they can make a song sound exactly like its title. “Venom,” of course, discusses the poisonous toxicity of incompatible relationships based on lust, but even sonically, the themes are ever-present. Catchy hooks rule the day, with pulsating bass synth carrying the track nicely. The vocal mix is awe-inspiring in this track, with simplicity acting as a secret weapon for the group. Sometimes, softer singing techniques are more challenging than bold belts. This song proves this to be true, with “Venom” being a standout vocal performance. Perhaps the dark and eerie brings out Tania Costello's vocal stylings. Still, her ability alone requires Anthony Ramirez’s masterful skill with electronic instruments to shine as brightly as it does.

“Glow” brings back the plucky synthesizers to add depth to the track. It is lovely to see a modern resurgence of this genre, with twists and turns keeping it exciting. This song is among my favorite instrumentals because one can hear the referential elements clearly as day. However, even just a few songs are included in the record, and it is recognizably Glass Spells’ work. Their signature sound is ethereal and dreamy in a way that many others try to force for their whole lifetimes. These two achieve their goal with a seeming effortlessness, an aura that cannot be replicated.

“Before Dawn” showcases another side of Costello’s impressive vocal range. She does incredibly well with Ramirez’s soundscape, so well that I had to mention it twice. This gorgeous and sonically stunning track renders me completely clear of critiques.

The group occasionally dabbles into more upbeat goth synth-wave territory, and “Crystals” is an excellent example of this. The title track of the record is probably my favorite of the whole thing. It’s fun and engaging but poetically gorgeous in a way that could not exist without the specific production value and defining traits of the group as a unit. Of course, Glass Spells have been working at their craft for years, but seeing a group with such a symbiotic mission statement is rare and feels essential for its existence. “Crystals” reminds audiences that Glass Spells means what they say, only creating to promote self-fulfillment rather than accumulate any accolades.

“Consequences” begins to round out the album, reminding audiences of Glass Spells’ inherent knack for innovation. They have masterfully studied modern and vintage music in the same sonic ballpark, enabling the curation of something unique. It’s truly mesmerizing to listen to, especially as one realizes that the album is sadly ending. This infectious hook will be stuck in my head for ages, with pulsating synth bass happily ringing in my ears for days to follow.

As a total synth nerd, I find Crystals to be satisfying work. However, the truest standout is the duo’s ability to incorporate culture into every element. Whether referring to their personal culture or alternative subculture, they gracefully weave life into everything they create by doing this. “Hechizos” is sung entirely in Spanish, all to a goth club synth beat. Words cannot describe how satisfying that is to hear as a fellow alternative Latina who grew up in goth and emo subcultures, dubbed la Familia’s “pinche rocker.” As more of us embrace art that makes us feel safe, more young people will be called toward self-expression.

Synth's work is breathtaking throughout the LP, but the final track, “Haunting,” does a phenomenal job of introducing fans to the world of Glass Spells. It is also aptly named; lead vocal stylings enchant even the harshest of critics. These synth patterns are expertly crafted, giving each layer depth and flowing evenly throughout. So much can be done to help a mix just with electronic elements, such as Glass Spells’ dedication to utilizing and innovating these techniques to curate a vibe that fits them like a glove.

It is no secret how Glass Spells has amassed such a legion of diehard fans since their formation. Their ethereal, healthily nostalgic sonic world is a comfort to many. Hopefully, they will continue embracing culture by creating their art, as it is breathtaking.