Fall Out Boy’s breakthrough record, ‘From Under The Cork Tree,’ is gulp 20 years old.

A Spark or The End feels like the start of something huge.

With Iridescent Serenade, Wandour proves he’s not just following the currents of chill house and electro — he’s shaping them.

This is not an album made for passive listening—it demands your attention, your emotions, and your time.

After more than a decade of silence, Toronto’s Rituals returns with Aurora.

Scowl finally unleashes their highly-anticipated record, ‘Are We All Angels.’

Panchiko rose from the ashes of the internet’s depths, and their experimental indie sound restores faith in humanity.

With ‘Moonshine,’ Baydream has crafted more than just an album.

Debt Neglector’s new LP ‘Kinda Rips’ is full of sharp political commentary and subtle nuances.

Metal fans, get ready—’Split From The Mind’, the self-titled EP, is here to shake your core.

This album will undoubtedly be remembered as one of the year’s finest indie rock achievements.

‘Doctor Dark’ offers the same pattern as the saddest Shakespearean tragedy; everyone dies in those.

Zach Savage has successfully tapped in and delivered sonic bliss with his latest release.

Naylor Stone, a highly accomplished guitarist, has released his first album, 'The Game of They.'

It's not every day a heavily-focused rock publication goes out on a limb and dabbles in pop music.

Killswitch Engage continues to be at the forefront of the metal scene with their never-ending technical and vocal prowess.

Analyzing what makes ‘Almost Here’ by The Academy Is… still relevant, 20 (holy sh*t) years later.

"D-ouble" is a testament to Dean Red's artistic vision and dedication to creating immersive, genre-blending music.

The Kartetch are a bold, grunge meets shoegaze, rock ‘n’ roll machine.

Some songs are screaming colors, like the tracks within Knowsum’s new record.