PRDR DELIVERS A STUNNING PROG ROCK ODYSSEY ON THE MALICE OF CHANCE AND TIME

Some albums hit you with a hook. Others pull you into a mood. But every once in a while, an album comes along that feels like it was built brick by brick, note by note — with intention, emotion, and vision. PRDR’s The Malice of Chance and Time is exactly that kind of record. Rooted in the expansive spirit of progressive rock but grounded in raw, human truth, it doesn’t just play — it resonates. What follows is not just a listening experience, but a journey into the heart and mind of an artist unafraid to ask the big questions. Let’s dig in:

“Waiting In The Light (The Dreamer)” opens The Malice of Chance and Time with a brilliant display of modern prog rock done right. From the very first note, it’s clear PRDR isn’t here to play it safe — the musicality on this track is well above par, enveloping the listener in lush textures and calculated complexity without ever feeling self-indulgent. The song begins with a series of haunting, slightly effected guitar notes, setting an eerie, dreamlike tone. It’s not long before the drums kick in and a smooth, layered vocal track floats in, pulling everything into focus. The production here is top-tier — truly a masterful job by PRDR, and we’re confident this won’t be the last time we say that. Lyrically, the track gives us an early glimpse into the EP’s existential leanings: “There’s no way out, I can feel it coming. All my senses telling me it’s all connected. Unified in every light.” It’s introspective and immersive, a perfect setup for what feels like an EP destined to leave a mark. If this is the opener, we’re locked in and ready. PRDR is clearly operating on a different creative wavelength, and we can’t wait to see where the rest of The Malice of Chance and Time takes us.

“Can We Go Back (The Optimist)” opens with a delicate blend of keys and drums, slowly unfolding as ambient guitar tones swirl in the background. Then — boom — the track erupts, with guitars crashing to the forefront and drums that punch with intention and precision. The vibe is a perfect storm of Chevelle’s alt-rock weight, Russian Circles’ clean post-rock atmosphere, and Porcupine Tree’s progressive elegance. It’s eclectic, but PRDR threads it all together effortlessly. Lyrically, it’s a meditation on longing and regret. “Can we go back to better days before the fall, when everything was smashed to pieces?” captures the emotion, and PRDR’s vocals land with real sincerity. The drums absolutely shine here — crisp, dynamic, and expressive — while the guitar work hums with purpose and power. And let’s be real, the lyrics hit hard, too. It’s a standout track that shows just how dialed-in PRDR is — emotionally, musically, and creatively.

“Spaces In Between (The Observer)” is the third track on The Malice of Chance and Time, and it wastes no time grabbing your attention with a thunderous, Tool-esque bassline that immediately grounds the track in something heavy and hypnotic. While the vocals are a bit buried in the mix — possibly by design — the instrumental work takes center stage. Intricate note changes, layered riffs, and progressive flourishes hint at Animals As Leaders–level musicianship, but with a far more vocal-forward approach that keeps the human element intact. This isn’t the hardest-hitting track on the album, but that’s not the point. It’s a sonic journey — rich, textured, and cinematic. As it unfolds, it taps into sounds that feel almost Egyptian or Indian in scale and tone, adding a worldly, mystical vibe. Then suddenly — boom — the chorus explodes, lifting the entire track into another dimension. It’s a full-blown auditory adventure, the kind of song that makes you sit back, stare at your speakers, and whisper, “How the hell did they just pull that off?”

“Impermanence (The Father)” closes The Malice of Chance and Time — and honestly, we wish it didn’t. It’s the kind of track that leaves you wanting more in the best way possible. Ethereal, emotional, and deeply personal, this song feels like a meditation, a love letter, and a transcendental trip all rolled into one. This is the track you’ll want to play the next time you light one up and want to float — because that’s exactly what it invites you to do: drift, reflect, and feel. Lines like “You’re standing up and walking. Soon you’ll be talking. Telling others stories about me… Everything seemed dead before you came” paint a picture of fatherhood with striking vulnerability. It feels like PRDR is speaking directly to his child — a quiet, powerful moment that cuts through the noise and lands straight in the heart. The instrumentation is just as moving — lush, layered, and clearly crafted with intention. And when he sings “Get up and go out and find truth! This life you make is after you!” it’s hard not to feel inspired. It’s a rallying cry wrapped in warmth. It’s a gorgeous, passion-filled closer and the perfect emotional capstone to a record that wrestles with time, existence, and everything in between. What a beautiful way to end the album — and what a statement.

The Malice of Chance and Time is more than just a progressive rock record — it’s a fully realized emotional and sonic journey. PRDR weaves complex musicianship with raw vulnerability, blending intricate riffs, layered arrangements, and thoughtful lyricism into something that feels both vast and deeply personal. There’s a sense of purpose in every note, a narrative thread that connects each track without ever feeling forced. It’s a rare kind of album — one that asks big questions about life, love, time, and identity, all while delivering a listening experience that’s immersive, transportive, and unforgettable. PRDR has created something that doesn’t just demand to be heard — it invites you to sit with it, think on it, and carry it with you long after the music stops.

The album drops July 21st. Be sure to get it by clicking HERE!